“匪祸”的创伤性记忆书写——对徐玉诺文学特质的解读  

Writing of Traumatic Memories of the“Banditry”——Interpretation of Xu Yunuo’s Literary Characteristics

作　　者：潘磊[1] PAN Lei(School of Chinese Language and Literature,Zhengzhou University,Zhengzhou,Henan 450001,China)

机构地区：[1]郑州大学文学院,河南郑州450001

出　　处：《中州大学学报》2025年第1期7-12,共6页Journal of Zhongzhou University

摘　　要：研究徐玉诺,必须正视他童年时所经历的匪祸,匪祸带来的恐惧与漂泊的情感震荡,成为萦绕他人生的创伤性记忆,这既成就了他独特的文学世界,也制约着他的文学走向和思考深度。徐玉诺过分拘泥于自身的创伤性经验,某种程度上对当时的社会结构缺乏更为宏观的认知,这限制了他的作品可能达到的深度和力度。徐玉诺游侠式的“疯魔”人生,在中原文化中属特异存在,也是被逼到生存极限之后的一种反击和自我保护。徐玉诺的创伤性记忆写作作为一种地方文化记忆,对其后的作家如阎连科、李佩甫等产生了一定的影响。The study of Xu Yunuo must face up to the emotional shock of fear and wandering caused by the banditry he experienced in his childhood.This experience has become a traumatic memory that has haunted his life,not only contributing to the building of his unique literary world,but also greatly limiting his literary direction and depth of thinking.Xu Yunuo’s over-attachment to his own traumatic experiences,and to some extent,his lack of a broader understanding of the social structure of the time limit the depth and intensity of his work.Xu Yunuo’s ranger-style“madness”life is a peculiar existence in the Central Plains culture,and it is also a kind of counterattack and self-protection after being forced to the limit of survival.As a kind of local cultural memory,Xu Yunuo’s traumatic memory writing has had a certain influence on subsequent writers such as Yan Lianke and Li Peifu.

关 键 词：徐玉诺 创伤性记忆 “匪祸” 

分 类 号：I206[文学—中国文学]