本土实践、叙事快感与文化症候——论近期国产悬疑影视中的孤勇者形象  

Local Practice,Narrative Pleasure and Cultural Symptoms——On the Portrayal of Lone Heroes in Recent Domestic Suspense Films and TV Shows

作　　者：董鑫[1] DONG Xin(School of Drama,Film and Television,Communication University of China,Beijing 100024,China)

机构地区：[1]中国传媒大学戏剧影视学院,北京100024

出　　处：《中州大学学报》2025年第1期83-88,共6页Journal of Zhongzhou University

摘　　要：近期国产悬疑影视中广泛出现的孤勇者形象,因应了悬疑影视的本土化创作与探索,反映了国产影视剧的核心特质与价值诉求。此形象一方面凭借创伤、暴力等元素成为这些影视剧叙事快感的重要来源;另一方面,它又揭櫫当下与历史的对话关系,尝试反抗“当下”的文化工业幻景,进而展现大众面对1990年代这一“历史起点”时复杂的文化心态。考察国产悬疑影视中的孤勇者形象,在阐明国产影视创作特色与价值诉求的同时,可为我们捕捉当代中国大众的隐匿心态提供一个切入点,进而展现影视文本与大众意识形态症候的精巧对接。In response to the localization creation and exploration of suspense films and TV shows,the widespread appearance of lone heroes in domestic suspense films and TV shows in recent years reflects the core characteristics and value demands of domestic films and TV dramas.On the one hand,this image has become an important source of narrative pleasure for these films and TV dramas by means of elements such as trauma and violence.On the other hand,it also reveals the dialogue relationship between the present and history,tries to resist the“present”cultural industry illusion,and shows the complex cultural mentality of the public when facing the“historical starting point”of the 1990s.Examining the portrayal of lone heroes in domestic suspense films and TV shows not only elucidates the characteristics and value demands of domestic film and television creation,but also provides us with a glimpse into the hidden mentality of the contemporary Chinese public,thereby showcasing the intricate connection between film and television texts and the ideological symptoms of the masses.

关 键 词：国产悬疑影视 孤勇者 本土实践 叙事快感 文化症候 

分 类 号：J905[艺术—电影电视艺术]