“结构性审美文本”视野下的《红楼梦》隐语考察——以“[分瓜]瓟斝”“杏犀■”四重意蕴揭示为中心  

Research on Argot of A Dream of Red Mansions From the Point of View of“Structural Aesthetic Text”——Focus on the Four Implications of“BanBaoJia([分瓜]瓟斝)”and“XingXiQiao(杏犀■)”

作　　者：葛云波[1] GE Yunbo(Chinese Classical Literature Editorial Department,The People’s Literature Publishing House,Beijing 100705,China)

机构地区：[1]人民文学出版社古典部,北京100705

出　　处：《江西师范大学学报(哲学社会科学版)》2025年第1期98-107,共10页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社会科学基金重大项目“新中国古籍整理出版事业史研究”(编号:23&ZD217)。

摘　　要：文章认为《红楼梦》隐语存在“结构性审美文本”的特色。由此裁断第四十一回“杏犀■”异文问题,并剥开“[分瓜]瓟斝”“杏犀■”隐藏的四重意蕴。二茶具名的隐语设计,四重意蕴,两重翻转,两重障眼法,蕴藏着人物的悲凉命运,寄托了作者巨大的人间悲悯和人生哲学感悟,是带有丰富血管的词语微雕。作者的语言创造达到羚羊挂角无迹可求的美学境界,是不言之言的艺术创造,是包融情智的哲学沉思。The paper proposes that the argot in A Dream of the Red Mansions possesses the characteristics of a“structural aesthetic text”.Based on this,it judges the issue of the variant text of“Xing XiQiao”(杏犀■)in the 41st chapter,and reveals the four implications hidden in“BanBaoJia”([分瓜]瓟斝)and“XingXiQiao”(杏犀■).The argot design of the two tea sets,which has four implications,two reversals,and two deceptive methods,contains the tragic fate of the characters and expresses the author’s profound human compassion and philosophical insights into life.It is a micro-carving of words with rich veins.The author’s linguistic creativity reaches the aesthetic realm of“antelope hanging horns without traces”,representing an artistic creation of the unspoken,and a philosophical contemplation that integrates emotion and intelligence.

关 键 词：《红楼梦》 隐语 结构性审美文本 [分瓜]瓟斝 杏犀■ 四重意蕴 

分 类 号：I242.4[文学—中国文学]