介入与突围:论冯至1940年代创作中的杜甫影响  

Intervention and Breakthrough:On Du Fu’s Influence in Feng Zhi’s Works in the 1940s

作　　者：周祥洋 马绍玺[1] ZHOU Xiangyang;MA Shaoxi(School of Chinese Language and Literature,Yunnan Normal University,Kunming,Yunnan Province 650500)

机构地区：[1]云南师范大学文学院,云南昆明650500

出　　处：《楚雄师范学院学报》2025年第1期112-120,共9页Journal of Chuxiong Normal University

基　　金：国家社会科学基金一般项目“西南联大学者演讲文献整理与研究”(23BZW128)。

摘　　要：1940年代的战争时期,冯至经历了一段流徙生活。在冯至精神谱系中,杜甫对于四十年代的他产生了巨大影响:他“否定”了自己在二三十年代的文学创作,吸收、转化并继承了杜甫的精神,并完成了“突围”。冯至舍弃了部分自由主义的观念,尝试在个人的基础上介入到中国的现实社会中,在“工作与等待”的“忍耐”中放大自身“介入式”的现实关怀。同时,冯至在杜甫的基础上进行了带有自身与时代的“异质性”突围,他凭借着新时代的传播媒介与战时昆明独特的文化场域,将自己的思想以杂文的形式展现出来。During the war in the 1940s,Feng Zhi(1905-1993)experienced a life of migration.In his spiritual pedigree,the great Tang poet Du Fu(712-770)has a tremendous influence on him in the 1940s:he“denied”his literary works written in the 1920s and the 1930s,then absorbed,transformed and inherited Du Fu’s spirit,thus completing his breakthrough.He abandoned some liberal ideas,tried to intervene in the real society of China on a personal basis,and amplified his“intervening”realistic concern in the“patience”of“work and waiting.”At the same time,he made a“heterogeneous”breakthrough from his own times on the basis of Du Fu.He showed his thoughts in the form of essays by virtue of modern media and the unique cultural field of the wartime Kunming.

关 键 词：冯至 1940年代 杜甫影响 流徙体验 介入与突围 

分 类 号：I207.25[文学—中国文学]