风景的变奏——沙飞、现代版画会与乡土文学  

Variations of Landscape:Sha Fei,Modern Print Society and Native Literature

作　　者：何小特 He Xiaote(Art Museum,Guangzhou Academy of Fine Arts)

机构地区：[1]广州美术学院美术馆

出　　处：《美术》2025年第2期90-95,共6页Art Magazine

摘　　要：文章通过对沙飞的风景摄影、现代版画会同人的风景木刻的图像来源和其中关于艺术观念探索进行梳理,结合其与“乡土文学”的错时关联,分析摄影、木刻在20世纪30年代民族危难的时代背景下,面对“现代艺术”思潮及“现实关怀”时复杂而又单纯的选择。This article combs through Sha Fei's landscape photography,the image sources of landscape woodcuts by members of Modern Print Society and the exploration of artistic concepts,and takes his staggered connection with “native literature” into consideration,to analyze the complex yet simple choices of photography and woodcuts in the face of the “modern art” trend and “realistic concerns” given the national crisis in the 1930s.

关 键 词：沙飞 现代版画会 乡土文学 摄影 

分 类 号：J217[艺术—美术] J414[文学—中国文学] I206.6