从路易斯·康到巴克里希纳·多西——基于理性构筑的地域适应性创作  

From Louis I.Kahn to Balkrishna Doshi:Regionally Adaptive Creation Based on Rational Construction

作　　者：吴航 董春江 王智峰 

机构地区：[1]华南理工大学建筑设计研究院有限公司

出　　处：《建筑与文化》2025年第2期37-40,共4页Architecture & Culture

摘　　要：1962年,路易斯·康受邀担任印度管理学院艾哈迈达巴德分校顾问建筑师的工作,巴克里希纳·多西参与了该项目的设计,这个过程使多西对建筑现代主义思想有了直接且深刻的体验,而康的建筑理念对多西的建筑创作取向产生了深远的影响。多西在之后的班加罗尔分校设计上,在康的理性构筑的逻辑基础上,致力于现代主义建筑和印度地域文化相结合的适应性创作。文章对两位大师各自主持的印度管理学院两个分校的案例进行了解读,探讨两者创作理念上的共性与差异,尝试总结康和多西在地域语境下适应性创作的一般策略。In 1962,Louis Isadore Kahn was invited to serve as the consulting architect for the Ahmedabad Campus of the Indian Institute of Management(IIM).During this project,Balkrishna Doshi was involved in the design process.This experience provided Doshi with a profound and direct exposure to modernist architectural ideas,and Kahn's architectural philosophy had a lasting impact on Doshi's creative direction.Subsequently,when working on the design of the Bangalore Campus of IIM,Doshi focused on creating an adaptive synthesis of modernist architecture and Indian regional culture,building upon the rational construction principles established by Kahn.This paper examines the cases of the two IIM campuses led by these two masters,exploring both commonalities and differences in their creative philosophies.It aims to summarize general strategies for regionally adaptive creation in the context of both Kahn and Doshi.

关 键 词：康 多西 理性构筑 适应性创作 解读 共性与差异 一般策略 

分 类 号：TU-86[艺术—艺术设计]