从传统到现代:1929年西湖博览会壁画艺术  

From Tradition to Modernity:the Mural Art of the 1929 West Lake Exposition

作　　者：牡丹 Mudan

机构地区：[1]上海大学上海美术学院

出　　处：《公共艺术》2024年第4期90-95,共6页Public Art

摘　　要：1929年西湖博览会壁画不仅是20世纪前期中国壁画艺术实践的重要案例,也是中国公共空间城市景观研究的一次大胆尝试。西湖博览会壁画依托于博览会建筑、由留法主攻建筑与图案的刘既漂承接设计,充分体现出他所倡导的“美术建筑”观念——建筑有其本体的美感基础。壁画在“美术建筑”中属于建筑美感的一种表现形式。本文通过研究西湖博览会建筑中的壁画案例,进而讨论20世纪初期中国对于现代壁画的接受与实践。The murals of the 1929 West Lake Exposition are not only an important example of Chinese mural art practice in the early 20th century,but also a bold attempt to study the urban landscape of Chinese public spaces.The murals of the West Lake Exposition were based on the architecture of the exhibition buildings which were designed by Liu Jipiao,majoring in architecture and pattern design in France.They fully embody the concept of"artistic architecture"advocated by Liu,who asserted that architecture had its own foundation of beauty.Murals are a form of expression of architectural beauty in"artistic architecture".This article discusses the acceptance and practice of modem murals in China in the early 20th century by studying the murals in the architecture of the West Lake Exposition.

关 键 词：西湖博览会 美术建筑 壁画 建筑装饰 公共空间 

分 类 号：J21[艺术—美术]