论热贡地区藏文书法源流  

A Study on the Origin and Development of Tibetan Calligraphy in Reb gong of mdo smad

作　　者：更登东智 东主才让 Gedun Dondrup;Dondrup Tsering(Rongbo Monastery,Qinghai;Editorial Office of the Journal of Qinghai Normal University)

机构地区：[1]青海隆务佛学院 [2]青海师范大学

出　　处：《青海师范大学学报(藏文版)》2024年第4期128-140,共13页Journal of Qinghai Normal University (Tibetan language)

摘　　要：不同文化区域的藏文书法字体有各自的特点,从历时和共时两方面看,藏文书法应是中华文化的有机组成部分,然而这方面的研究成果相对较少。文章对热贡地区藏文书法源流与传承方面的资料,包括众多前贤传记、地方史料以及敦煌文献中有关资料进行梳理,用文献学、历史学、艺术学等学科的研究方法展开论述。随着佛教在热贡地区的传播,书法技艺和文化也随之流传到该地区,并在这里得到长久的发展,产生了众多书法大家。笔者发现,近代学者久麦旦切尖措的书法传承脉络,即有藏顿格西丹增群培的风骨,也有宗嘎坚额贡却彭措的神韵。蓝匝体书法传承中,不仅有阴阳体的说法,还有黑鸟鸟喙体和斧刃体的区分,才旦夏茸教授所传承和传授的蓝匝体即是黑鸟鸟喙体。此书体曾在纳唐寺木刻版、拉萨雪木刻版、布达拉宫部分牌匾,以及帝玛尔丹增彭措文集、江隆班智达洛桑旦贝坚赞文集等中广泛使用过。文章还研究了“热贡金书”的过去和现状,也提出了自己独到的见解。Tibetan calligraphy styles from different cultural regions have their own characteristics.From both historical and synchronic perspectives,Tibetan calligraphy should be a crucial part of Chinese culture.However,there are currently few achievements in this area.In view of this,the article is based on the Rebgong region,collecting and organizing information on the inheritance and origins of Tibetan calligraphy in the region,as well as numerous biographies of predecessors,local historical materials,and the latest achievements of Dunhuang literature in recent years.Using research methods from disciplines such as philology,history,and art,the article argues that since the Early Spread of Buddhism period,with the spread of Buddhist culture in Rebgong,calligraphy skills and culture have also been transmitted to the region and developed for a long time,giving rise to numerous calligraphy masters.For the first time,it was discovered that the calligraphy inheritance of the modern scholar Jigme Damcho Gyatso possesses both the characteristics of Tsangton Geshe Tenzin Chopel and Dzongkar Spyannga Konchok Phuntsonk.The inheritance of Lanydza Calligraphy,the distinctive calligraphy inherited and taught by Professor Tsetan Shabdrung.This calligraphy style has been widely and extensively used in the wood block editions of Nartang Monastery,the Shol wood block editions of Lhasa,some plaques of Potala Palace,as well as the collections of texts by Demar Tenzin Phuntsok and Master Lobsang Tenpe Gyaltsan.However,for most researchers and calligraphy enthusiasts,it can also be said to be relatively unfamiliar.In addition,the article also puts forward its unique insights and some suggestions on the past and current situation of the“Rebgong Jinshu”for researchers’reference.

关 键 词：热贡 藏文书法 源流 

分 类 号：J292.14[艺术—美术]