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作 者:詹冬华[1,2] 郭佾 ZHAN Donghua;GUOYi(Center of Contemporary Morphological Literature and Art Research,Jiangxi Normal University,Nanchang,Jiangxi 330022,China;School of Chinese Language and Literature,Jiangxi Normal University,Nanchang,Jiangxi 330022,China)
机构地区:[1]江西师范大学当代形态文艺学研究中心,江西南昌330022 [2]江西师范大学文学院,江西南昌330022
出 处:《江西师范大学学报(哲学社会科学版)》2024年第6期128-136,共9页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
基 金:江西省高校人文社科重点研究基地江西师范大学当代形态文艺学研究中心2020年度招标项目“先秦两汉审美空间的生成问题研究”(编号:JD20067)。
摘 要:《红楼梦》以建筑为实体场景,营构了一个真实可感的伦理空间,包含两个层面:一是以贾元妃为中心的君臣伦理空间,表现为上下尊卑的空间性伦理;二是以贾母为中心的长幼伦理空间,呈现出先后长幼的时间性伦理,两者均表现为母系伦理模式。与此同时,《红楼梦》还以各种建筑、自然场地为依托,营造出彰显人物情感、心性、气度的情感空间,并将“情”提升到本体高度。伦理空间是该小说叙事得以展开的重要外部因素,情感空间则是其释放美学力量的关键内部因素,两者交融互渗,契合相偕,共同生发出小说的悲剧性。Dream of the Red Chamber kes architecture as the physical scene to construct an ethical space that is realistic and tangible,consisting of two levels:the first is the space of hierarchical ethics centered on JIA Yuanchun,which manifests as a spatial ethics of the level of status and the amount of power;the second is the old and young ethical space centered on Lady Dowager,which manifests as a temporal ethics of the sequence of lineages,both of which exhibit a matriarchal ethical pattern.At the same time,The Red Chamber Dream also relies on various buildings and natural sites to create an emotional space that highlights the characters’emotions,temperament,character,temperament and demeanor,and elevates“feelings”to the height of the body.The ethical space is an important external factor for the narrative development of the novel,while the emotional space is a key internal factor for the release of aesthetic power.The two are intermingled and intermingled to produce the tragedy of the novel together.
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