古典小说叙事对佛典“逆行菩萨”叙事范式的称引  

The Citation of Classical Novel Narrative on the Narrative Paradigm of“Retrograde Bodhisattva”in Buddhist Scriptures

作　　者：王子成 WANG Zicheng(Institute of Literature,Jiangsu Academy of Social Sciences,Nanjing,Jiangsu 210004,China)

机构地区：[1]江苏省社会科学院文学研究所,江苏南京210004

出　　处：《江西师范大学学报(哲学社会科学版)》2024年第6期137-145,共9页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：江苏省社会科学基金项目“中国古代小说经典化研究”(编号:22ZWD003)。

摘　　要：古典小说的编创及其经典化,是建立在中国传统文化话语体系和叙事体系之上的。唐宋以来,小说的编创者从佛典文学中借鉴了大量新颖的叙事范式,特别是佛典文学“逆行菩萨”叙事范式来丰富自己的编创手段,继而形成古典小说独特的叙事策略和叙事方法。其中佛典文学中的“倒叙溯源”“属性置换”“时空转换”“寓教于喻”等手段在古典小说叙事中得到广泛运用,并形成较为固定且广为接受的叙事范式,进而延伸到传统的戏曲文学叙事中,从而促使通俗文学主流样式的小说戏曲叙事走向经典化。其经典叙事范式的确立,为当今构建中国话语和中国叙事体系提供了重要的文本参照。The compilation,creation and canonization of classical novels are based on the discourse system and narrative system of traditional Chinese culture.Since the Tang and Song Dynasties,the writers of novels have borrowed a lot of novel narrative patterns from Buddhist literature,especially the narrative pattern of“retrograde Bodhisattva”in Buddhist literature to enrich their means of writing and creation,and then formed the unique narrative strategy and narrative method of classical novels.Among them,the narrative techniques of“reversing chronology”“attribute substitution”“time and space transformation”and“teaching through metaphor”from Buddhist scriptures are widely used in classical novel narratives and have formed a relatively fixed and widely accepted narrative paradigm,which has subsequently been extended to traditional opera literature narratives,thereby driving the mainstream style of popular literature narratives,novels and operas,towards classicization.The establishment of its classic narrative paradigm provides an important textual reference for constructing the system of Chinese discourse and Chinese narrative.

关 键 词：小说叙事 逆行菩萨 称引 经典化 

分 类 号：I207.41[文学—中国文学]