皮影文化元素在皮革产品设计中的应用分析  

Application of Leather Shadow Cultural Elements in Leather Product Design

作　　者：李娇杰 袁新林[1] LI Jiaojie;YUAN Xinlin(Changzhou University,Changzhou 213000,China)

机构地区：[1]常州大学,江苏常州213000

出　　处：《西部皮革》2025年第3期71-73,共3页West Leather

摘　　要：为了提高皮革产品的吸引力,将皮影文化元素融入箱包与皮革文创饰品设计中,可提升皮革产品的文化内涵。文章通过皮影艺术的造型、色彩、结构以及图案等方面的分析,论述了皮影文化特点及其融入皮革产品设计的意义,探讨了皮影文化元素和箱包、皮革饰品设计结合的可能性,为皮革产品设计的发展和革新提供参考。In order to improve the attractiveness of leather products,the shadow puppet cultural elements are integrated into the design of bags and leather cultural and creative jewelry,so as to enhance the cultural connotation of leather products.Through analyzing the shape,color,structure,and pattern of shadow puppet art,the study discusses the characteristics of shadow puppet culture and its significance of integrating into leather product design,and explores the possibility of combining shadow puppet cultural elements with the design of bags and leather jewelry,so as to provide reference for the development and innovation of leather product design.

关 键 词：皮影文化 皮革产品 文化内涵 

分 类 号：J827[艺术—戏剧戏曲] TB472[一般工业技术—工业设计]