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作 者:邓婷尹 刘亦巍 Deng ting-yin;Liu Yi-wei(Sichuan University of Science&Engineering,Zigong,Sichuan 643000,China)
出 处:《四川民族学院学报》2024年第6期95-102,共8页Journal of Sichuan Minzu College
摘 要:现阶段城乡间发展水平程度矛盾突出,乡村发展滞后、不充分。我们党全面把握我国具体国情、发展阶段的基础上,开启全面建设新时代社会主义现代化农业乡村,实施乡村振兴战略。文化兴则国运兴,文化强则国家强,文化是一个国家繁荣兴盛的根本,同样,一个乡村的发展高度取决于它的文化底蕴。近些年兴起的场景理论,通过“舒适物”这一词用以分析场景的基础信息。通过理论探究和逻辑梳理,归纳总结出适合用于我国乡村地域景观文化场景构建的理论原则。根据场景理论对场景特征和美学意义的划分可以将我国乡村地域景观划分为民俗文化景观、生态文化景观、产业文化景观、公共文化景观,不同的文化景观按照场景理论都具有其独特的特征。在乡村振兴战略实施中,各乡村可以结合地域文化类型,对其地域景观进行文化场景适配,通过文化的介入构建文化场景,助力乡村振兴。At present,the disparity between urban and rural development is a pressing issue,with rural areas often lagging and underdeveloped.In response to this,and in light of a thorough understanding of China’s unique national conditions and developmental phases,our party has initiated the comprehensive construction of socialist modern agricultural villages in the new era,embarking on a strategy for rural revitalization.Culture serves as the cornerstone of a nation’s prosperity and strength,and the success of rural development is intrinsically linked to its cultural heritage.The field of scene theory,which has gained prominence in recent years,employs the concept of‘comfort’to dissect the fundamental elements of a scene.Through theoretical exploration and logical analysis,this study distills the theoretical principles that are applicable to the construction of rural regional landscape cultural scenes in China.Drawing on scene theory’s categorization of scene characteristics and aesthetic significance,the rural regional landscape in China can be delineated into four distinct types:folk cultural landscape,ecological cultural landscape,industrial cultural landscape,and public cultural landscape.Each of these cultural landscapes possesses unique attributes,as identified by scene theory.
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