唐青花简谈  

A Brief Discussion on Tang Blue and White

作　　者：李盛林 Li Shenglin(Li Shenglin Ceramic Art Studio,Jingdezhen,333000)

机构地区：[1]李盛林陶瓷艺术工作室,景德镇333000

出　　处：《陶瓷研究》2024年第6期43-45,共3页Ceramic Studies

摘　　要：唐青花处在中国青花瓷发发展史的滥觞期,且带有先明的时代特征和初创期的工艺痕迹。仅从唐青花制作工艺角度来看,有红胎、灰胎和白胎,胎料与烧结温度不同,形成了低温的陶质胎,中温的半陶半瓷胎,高温的瓷质胎。因此,我国著名古陶瓷专家赵青云先生提出了鉴定唐青花四个标准,第一,必须是瓷胎;第二,胎上施加透明釉;第三,在胎上用钴料做彩绘或点彩。本文就从唐青花烧制实证、特点、传承关系做简单研究。Tang blue and white porcelain is at the beginning of the development history of Chinese blue and white porcelain,and has the characteristics of the Ming Dynasty and the traces of craftsmanship in its early stages.From the perspective of Tang blue and white production technology alone,there are red,gray,and white bodies.The body materials and sintering temperatures are different,forming low-temperature ceramic bodies,medium temperature semi ceramic bodies,and high-temperature ceramic bodies.Therefore,Mr.Zhao Qingyun,a famous expert in ancient ceramics in China,proposed four criteria for identifying Tang blue and white porcelain.Firstly,it must be a porcelain body;Secondly,apply transparent glaze on the tire;Thirdly,use cobalt material to paint or dot the tire.This article will conduct a simple study on the empirical evidence,characteristics,and inheritance relationship of Tang blue and white porcelain firing.

关 键 词：唐青花 巩县窑 钴料 

分 类 号：J527[艺术—艺术设计]