漆画技法在瓷画创作中的融合与应用研究  

Research on the Integration and Application of Lacquer Painting Techniques in Porcelain Painting Creation

作　　者：李维一 梁辰睿 Li Weiyi;Liang Chenrui(Yunnan University,Kunming,650091)

机构地区：[1]云南大学,昆明650091

出　　处：《陶瓷研究》2024年第6期55-57,共3页Ceramic Studies

摘　　要：漆画与瓷画都是中国传统技艺在历史长河中审美与需求的不断更新下衍生出来的独立小画种,二者各有所长。本文通过对漆画与瓷画的历史发展脉络、独特的艺术特性、艺术语言以及技法特点进行综合分析与比较,旨在揭示两者结合所蕴含的艺术价值与潜力。研究采用文献综述法,系统梳理相关领域的研究成果;并通过实践创作,探索漆画技法在瓷画中的具体融合策略与创新应用。本研究期望为传统艺术的创新发展提供新的思路与方法,不仅推动漆画与瓷画艺术的传承与发展,还有望为文化产业注入新的活力,促进艺术与市场的有机融合。Lacquer painting and porcelain painting are independent small paintings derived from the continuous renewal of aesthetics and needs of traditional Chinese skills in the long history,and each has its own strengths.This paper makes a comprehensive analysis and comparison of the historical development,unique artistic characteristics,artistic language and techniques of lacquer painting and porcelain painting,aiming to reveal the artistic value and potential of the combination of the two.Literature review method was adopted to systematically sort out the research results in related fields.And through practical creation,explore the specific integration strategy and innovative application of lacquer painting techniques in porcelain painting.This research is expected to provide new ideas and methods for the innovative development of traditional art,not only to promote the inheritance and development of lacquer painting and porcelain painting,but also to inject new vitality into the cultural industry and promote the organic integration of art and market.

关 键 词：漆画 瓷画 艺术语言 融合 

分 类 号：J527[艺术—艺术设计]