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作 者:骆云龙 李翔 吴火金 Luo Yunlong;Li Xiang;Wu Huojin(Luo Yunlong Ceramic Studio,Jingdezhen,333000;Li Xiang Ceramic Studio,Jingdezhen,333000;Wu Huojin Ceramic Studio,Jingdezhen,333000)
机构地区:[1]骆云龙陶瓷工作室,景德镇333000 [2]李翔陶瓷工作室,景德镇333000 [3]吴火金陶瓷工作室,景德镇333000
出 处:《陶瓷研究》2024年第6期140-142,共3页Ceramic Studies
摘 要:青花写意花鸟瓷画自唐代绵延发展至今,具有非常悠久的历史。青花写意花鸟瓷画在笔法、构图、色彩、意境等方面具有鲜明的艺术特色。当代青花写意花鸟瓷画的传承发展需要采取加强教育与培训、推动创新与融合、注重交流与合作、利用现代科技与媒体传播等有效策略。Blue and white freehand flower and bird porcelain painting has been developed since the Tang Dynasty and has a very long history.Blue and white freehand flower and bird porcelain painting has distinct artistic characteristics in terms of brushwork,composition,color and artistic conception.The inheritance and development of contemporary blue and white freehand flower and bird porcelain painting needs to adopt effective strategies such as strengthening education and training,promoting innovation and integration,paying attention to exchange and cooperation,and use of modern technology and media communication.
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