建盏釉色的创新及美学意蕴  

Innovation and Aesthetic Implications of Glaze Colors in Jianzhan

作　　者：黄文勇 Huang Wenyong(Yuyao Ceramic Research Institute,Jianyang District,Nanping,353000)

机构地区：[1]南平市建阳区御窑陶瓷研究所,南平353000

出　　处：《陶瓷研究》2024年第6期149-150,153,共3页Ceramic Studies

摘　　要：本文聚焦建盏釉色,阐述其从晚唐至元明的历史演变,受多种因素影响不断创新。现代艺术家改进配方与工艺,创造新釉色品种。建盏釉色具独特美学意蕴与文化象征,七彩曜变建盏为现代创新代表,在色彩和器型设计上有突破。This article focuses on the glaze color of Jianzhan,elaborating on its historical evolution from the late Tang Dynasty to the Yuan and Ming Dynasties,constantly innovating under the influence of various factors.Modern artists improve formulas and techniques to create new varieties of glaze colors.The glaze color of Jianzhan has unique aesthetic connotations and cultural symbols.Qicai Yaobian Jianzhan has become a representative of modern innovation,with breakthroughs in color and vessel design.

关 键 词：建盏釉色 历史演变 美学意蕴 七彩曜变建盏 

分 类 号：J527[艺术—艺术设计]