从书法“正体”观念形成看中华文明的统一性  

From the Conceptualization of"Standard Script"in Calligraphy to the Uniformity of Chinese Civilization

作　　者：张炬[1] ZHANG Ju(Jilin University of Arts,Changchun,Jilin 130021)

机构地区：[1]吉林艺术学院,吉林长春130021

出　　处：《吉林艺术学院学报》2024年第6期40-43,共4页Journal of Jilin University of Arts

基　　金：中国高等教育学会2023年高等教育科学研究规划课题“书法‘正体’观念对中华美育精神的传承与创新价值研究”(23MY0409)阶段性成果。

摘　　要：书法正、草书体的生成是以文字为根,伴随着书体演进和流变在文明史中既有判析分野,又有济通杂糅。书法“正体”观念的形成,就是在书法正、草书体的历史互动中,从多样性与统一性对立转化的审美实践,体现出大一统的人心根基和“守正”价值取向。其形成有着重要的社会历史动因。外部看,诸多要素中,与文化的大一统传统、政治统一、教育考课的时代之需有重要关系;内部看,正体与草体的历史性伴生和正、草兼通是二者在发展中呈现书法独特审美现象的直接动力。以书家楷模群体为主导的积极参与,将各种书体技法实践和其他社会历史条件进行合作,齐万殊而一贯,使“正体”书法观念的形成演绎为阐释中华文明统一性的确证性知识话语。The generation of the regular and cursive styles of calligraphy is rooted in the written language and has undergone evolutions and transformations in the history,with both divisions and integrations.The formation of the"standard script"concept in calligraphy is a process of aesthetic practice that has transformed from diversity to unity along with the historical interaction between the regular and cursive styles of calligraphy.It reflects a deep-rooted value orientation of"adhering to the norm".Its formation has important social and historical causes.Externally,many factors are involved,including the tradition of cultural unification,political unification,as well as the demands of educational examination and evaluation;internally,the historical coexistence of regular and cursive styles and the ability to write both styles are the direct driving forces behind the unique aesthetic phenomena of calligraphy.With the active participation of calligraphy role models,calligraphy techniques are associated with various social and historical conditions and achieved unity and consistency in diversity,making the formation of the"standard script"a confirmation of the unifying nature of Chinese civilization as a knowledge discourse.

关 键 词：文字和书法 正体观念 草体 统一性 

分 类 号：J292.11[艺术—美术]