浅论版画创作方法论中复数性在不同时代创作语境下的体现  

A Brief Discussion on the Manifestation of Plurality in the Creative Contexts of Printmaking Methodology Across Different Eras

作　　者：武鹏 WU Peng(Dong Affiliated Middle School of Beijing Normal University,Datong,Shanxi 037006)

机构地区：[1]北京师范大学大同附属中学,山西大同037006

出　　处：《吉林艺术学院学报》2024年第6期64-68,共5页Journal of Jilin University of Arts

摘　　要：版画是一种古老的艺术表现形式,复数性和间接性是版画的核心方法论,此两种创作方法论运用在不同的时代背景下与彼时的文化和技术相结合后就会产生新的表现形式和内容。同样版画创作的方法论应用到不同的创作媒介中或不同于平面艺术的创作语境中也会生成别样的作品。在一些现当代艺术的作品中可以看到版画复数性方法论的应用,多媒体艺术和行为艺术都有复数性方法论的运用,虽然这些作品和传统的版画作品在表现形式上大相径庭,但其表达内核方法论依然是从传统版画走出的复数性方法。因此需要再次梳理版画复数性方法论的应用与变化过程,以期从中找到新的创作启示。Printmaking is an ancient form of artistic expression,with multiplicity and indirectness as its core methodology.When these two methods are applied in different historical backgrounds,they are likely to combine with the culture and technology at that time and produce new forms and content.Similarly,when the methodology of printmaking is applied to media or contexts other than flat art,it generates unique artworks.multiplicity can be seen in various contemporary art works,such as multimedia arts and performance arts.Although these works differ greatly in form from traditional printmaking,their core methodology still originates from the multiplicity of traditional printmaking.Therefore,it is necessary to re-examine the application and transformation of printmaking's multiplicity methodology,in order to find new inspirations for artistic creation.

关 键 词：复数性 间接性 时代性 

分 类 号：J217[艺术—美术]