媒介自觉与文化想象:20世纪初中国摄影的现代主义萌芽  

Medium Conciousness and Cultural Imagination:The Emergence of Modernism in Chinese Photography in the Early 20 th Century

作　　者：张雯 陈荣辉 ZHANG Wen;CHEN Ronghui(School of Design and Art,Communication University of Zhejiang,Hanghou,Zhejiang 310019,China;School of Journalism and Communication,Hangzhou City University,Hanghou,Zhejiang 310015,China)

机构地区：[1]浙江传媒学院设计艺术学院,浙江杭州310019 [2]浙大城市学院新闻与传播学院,浙江杭州310015

出　　处：《广州大学学报(社会科学版)》2025年第2期150-160,共11页Journal of Guangzhou University:Social Science Edition

基　　金：教育部人文社科研究青年基金项目(20YJC760133);教育部人文社科研究青年基金项目(24YJC760012)。

摘　　要：中国的现代性与一种新的时间意识紧密相关,摄影因其内在的时间性成为现代知识分子拓展视觉疆域、融入世界“先进”文化体系的媒介。20世纪初,上海一群业余摄影家发起了一场中国新视觉运动,中国摄影的现代主义开始萌芽。他们表现出明显的科学意识,对摄影古典时期“全盘画化”的标准提出质疑,转向摄影的媒介本体探索。现代主义摄影在跨国旅行中产生了本土化变异,成为个人主体性追求与救亡图存家国叙事的连结点,构建了人们关于民族国家竞争和现代都市生活的文化想象。China′s modernity is closely related to a new sense of time.Photography,due to its inherent temporality,has become a medium for modern intellectuals to expand their visual boundaries and integrate into the global″advanced″cultural system.In the early 20 th century,a group of amateur photographers in Shanghai launched a new vision movement,bringing about the sprout of the Chinese photography modernism.They showed a clear scientific consciousness,questioned the standard of″Pictorialism″in the classical period of photography,and turned to explore the ontology of photography.Modernist photography has undergone the localization in transnational travel,becoming a link between the pursuit of personal subjectivity and the narrative of national survival,and constructing people′s cultural imagination of national competition and modern urban life.

关 键 词：现代主义 摄影 视觉现代性 文艺创作 现代转型 

分 类 号：J40[艺术—摄影艺术] J41