圣桑钢琴创作中的“折衷主义”理念探究——以《热情的快板》Op.70为例  

Exploring the Concept of"Eclecticism"in Saint-Saëns′s Piano Compositions:A Case Study of Allegro Appassionato,Op.70

作　　者：陈炳琪 崔静瑶 CHEN Bing-qi;CUI Jing-yao(Music Education College,Guangxi Arts University,Nanning Guangxi 530022)

机构地区：[1]广西艺术学院音乐教育学院,广西南宁530022

出　　处：《巢湖学院学报》2024年第5期87-93,共7页Journal of Chaohu University

基　　金：广西壮族自治区教育厅人文社会科学项目(项目编号:2024KY0468)。

摘　　要：圣桑钢琴创作中所推崇的“折衷主义”理念,既是对古典技法的坚守,也兼顾对时代潮流的融合,使得其作品能够直观展现法国音乐独特的人文情怀。文章通过跨学科视角、创作思维的具体体现及艺术价值等多个维度,以圣桑《热情的快板》Op.70为落脚点进行个案分析,探讨其形式与内涵,旨在揭示“折衷主义”理念的成因与发展路径。“折衷主义”作为一种哲学思想,其哲学思维与音乐理想方面相知相生,都具“艺术通感”,二者是一个普遍联系的整体。研究发现为钢琴创作风格的探索提供新颖见解与价值参考,推动音乐艺术领域的创新转化与发展进程。The"eclecticism"advocated by Saint-Saëns in his piano compositions reflects both his adherence to classical techniques and his integration of contemporary trends,enabling his works to directly express the unique humanistic sentiments of French music.From an interdisciplinary perspective,this article takes Allegro Appassionato,Op.70,as its focus,analyzing its form and connotation through specific manifestations of creative thought and artistic value.The aim is to uncover the causes and developmental trajectory of the concept of"eclecticism".As a philosophical idea,"eclecticism"intertwines philosophical thinking and musical ideals,embodying"artistic synesthesia"as a universally interconnected whole.This research provides novel insights and value references for the exploration of piano composition styles,offering a fresh perspective for the innovative transformation and development of the musical arts.

关 键 词：圣桑 折衷主义 钢琴创作 《热情的快板》Op.70 

分 类 号：J624.1[艺术—音乐]