围龙叙事的魅惑——罗青山《围龙遗梦》中的时序、悬念与套层探析  

The Charm of the Narrative--An Analysis of the Order Suspense and Layering in Luo Qingshan's Dream of Surrounding the Dragon

作　　者：张劲松[1] ZHANG Jin-song(School of Chinese Literature,Jiaying University,Meizhou 514015,China)

机构地区：[1]嘉应学院文学院,广东梅州514015

出　　处：《嘉应学院学报》2025年第1期19-22,共4页Journal of Jiaying University

基　　金：教育部一般项目“李金发文艺年谱研究”(21YJAZH114)。

摘　　要：罗青山先生的第一部长篇小说《围龙遗梦》叙述沉稳,营构绵密,卷帙浩繁,引人入胜,是有着深厚历史意识与深切家国情怀的客家书写集大成之作。作者在小说中采用了时序中的顺叙、倒叙和预叙以及悬念与套层等叙事手法来营构叙事节奏、叙述动力与叙事结构,戏里戏外层层交错且相互牵连包容,极富层次感,不时让读者在主叙事、次叙事与超叙事之间来回游走,借此思考文中颜佩琴等一众人物形象的文学意义并领悟套层故事丰富而厚实的文化意蕴。此种复杂的、层层并置或嵌套的迷宫般的叙事结构匹配以不同叙述者在不同时序里的叙述,使读者能够从不同层面理解仁济围龙屋的文本细节、历史真相与可能性,同时也留有诸多“空白”和“未定点”以供读者驰骋想象力并遐思回味。Mr.Luo Qingshan's first novel,Dream of Surrounding the Dragon,has a steady narrative,dense structure,vast volume,and captivating appeal.It is a masterpiece of Hakka writing with profound historical consciousness and deep patriotism.The author employs narrative techniques such as chronological,reverse,and prenarrative,as well as suspense and layering,to construct the narrative rhythm,narrative dynamics,and narrative structure in the novel.The layers of interweaving and interdependence between the inside and outside of the play are highly layered,occasionally causing readers to wander back and forth between the main narrative,secondary events,and hyper narrative,in order to reflect on the literary significance of characters such as Yan Peiqin in the text and comprehend the rich and profound cultural implications of layered stories.This complex,layered,or nested maze like narrative structure matches the narratives of different narrators in different time periods,allowing readers to understand the textual details,historical truth,and possibilities of Renji Weilongwu from different levels,while also leaving many"blanks"and"undecided points"for readers to use their imagination and reminisce.

关 键 词：《围龙遗梦》 时序 悬念 套层 

分 类 号：I247[文学—中国文学]