论《镜花缘》的药物叙事  

On the Drug Narration of Flowers in the Mirror

作　　者：张渃雯 史小军[1] ZHANG Ruo-wen;SHI Xiao-jun(School of Liberal Arts,Jinan University,Guangzhou 510632,China)

机构地区：[1]暨南大学文学院,广州510632

出　　处：《嘉应学院学报》2025年第1期60-66,共7页Journal of Jiaying University

摘　　要：《镜花缘》四分之一的章回均涉及了药物叙事,药物在其文本中的呈现概况为种类齐备而涵盖多科诊疗、虚实兼具而其来有自、药方巨细靡遗而似医药宝典。经作者匠心裁用,药物叙事在《镜花缘》中发挥了重要的文学功能,主要包括塑造世医形象、营构虚实相生的叙事空间、整合小说的叙事结构。《镜花缘》药物叙事的文化内涵离不开乾嘉汉学尤其是凌廷堪礼学思想的影响,其有别于世情小说的药物叙事对于审美象征意味的强调,而体现为博学考据与经世致用的小说风格,以及作者寄寓其中的劝善循礼的文化思想与济世情怀。A quarter of the chapters of Flowers in the Mirror involves drug narration,and the overview of drugs presented in the text is that there are a wide range of types of drugs covering multiple disciplines of diagnosis and treatment,both the real and the imaginary come from,and the prescriptions are exhaustive and seem to be a treasure trove of medicines.Through the author's ingenuity,the drug narration plays an important literary function in the Flowers in the Mirror,mainly including shaping the image of the world's doctors,constructing a narrative space where reality and falsehood are intertwined,and integrating the narrative structure of the novel.The cultural connotation of the drug narration in the Flowers in the Mirror cannot be separated from the influence of academic trend of qianjia,especially Ling Tingkan's thought of ritual study,and it is different from the drug narration in the novels about human relationship in its emphasis on aesthetic symbolism,which is embodied in the novel's style of erudition,evidence and practice,as well as the author's cultural ideas of exhortation and etiquette,and the world's feelings.

关 键 词：《镜花缘》 药物叙事 乾嘉汉学 

分 类 号：I242.4[文学—中国文学]