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作 者:赵俊玲[1] Zhao Junling(College of Literature,Zhengzhou University,Zhengzhou 450001,China)
出 处:《洛阳师范学院学报》2025年第1期37-41,共5页Journal of Luoyang Normal University
基 金:河南省哲学社会科学规划项目(2022BWX028)。
摘 要:南朝之后,陶渊明的诗歌逐渐受到重视,苏轼对陶渊明极其推崇,对陶诗创作风格从实践角度进行揣摩和张扬,道出了陶诗独特的审美价值和存在意义。但《文章正宗》之前的总集,尚未给予陶诗特别关注。真德秀编《文章正宗》,重点选录了陶渊明诗歌,选录数量一跃为汉魏六朝时期诗人第一,这应是较早一部大力关注陶诗的通代诗文总集。其后,如“谈理”类、《文选》广续补遗类、辨体类等多种类型的通代诗文总集大都重视选录陶诗,且选录篇目多和《文章正宗》重复,不断强化着陶诗的文学史地位和经典性。After the Southern Dynasties,Tao Yuanming’s poems was gradually gained recognition.Su Shi highly praised Tao Yuanming and speculated and publicized the writing style of Tao Yuanming from the perspective of practice,which revealed the unique aesthetic value and existence significance of Tao Yuanming’s poems.However,the anthologies before Wenzhang Zhengzong did not give special attention to Tao’s poems.Zhen Dexiu compiled Wenzhang Zhengzong,focusing on the selection of Tao Yuanming’s poems,thus Tao Yuanming became the poet with the largest number of selected poems among the poets during the Han,Wei,and Six Dynasties.Wenzhang Zhengzong should be an earlier anthology that paid great attention to Tao’s poems.Subsequently,different types of general anthologies mostly gave attention to Tao’s poems,and many of these selected poems overlapped with those in Wenzhang Zhengzong,continuously reinforcing the classic status and literary historical position of Tao Yuanming’s poems.
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