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作 者:韦苏娜 Wei Suna
机构地区:[1]广西壮族自治区民族文化艺术研究院《民族艺术》编辑部 [2]山东艺术学院艺术史论与管理研究中心
出 处:《艺术传播研究》2025年第2期34-44,共11页Journal of Art Communication
基 金:国家社科基金艺术学重大项目“中华文明精神标识的艺术呈现与传播研究”(编号:23ZD02)的阶段性成果。
摘 要:关于刘三姐的传说,不仅在历史演变中逐渐被融入丰富的社会文化元素,也在如今与现代社会相契合,借助创新的艺术形式以及现代化的传播手段,走向了更广阔的空间乃至国际舞台。以对刘三姐传说的多元艺术呈现与传播为切入点,可探究民间传统文化在当今全球化背景下的传承与现代“转型”策略。如何在保持刘三姐传说的文化精髓的同时,使其展现出更加适应现代社会的审美需求与习惯的艺术呈现与传播方式,是值得思考的问题。刘三姐可被视为中华文明精神标识的一种区域性、民族性延伸,是中华文明精神标识体系中一个极具特色的组成部分。而其艺术呈现与传播方式的现代转型,也为研究中国优秀的民间传统文化的创造性转化和创新性发展提供了一个典型案例。The legend of Liu Sanjie(Third Sister in the Liu family)has gradually incorporated rich social and cultural elements throughout its historical evolution.In the present day,it has aligned with modern society,leveraging innovative art forms and modern communication means to reach broader arenas,even the international stage.Taking the diverse artistic presentations and dissemination of the Liu Sanjie legend as a starting point,we can explore the inheritance and modern“transformation”strategies of folk traditional culture in the current context of globalization.The legend of Liu Sanjie plays a crucial role in promoting the national spirit,fostering ethnic unity,and facilitating social harmony.In the process of modernization,it is a thought-provoking question how to preserve the cultural essence of the Liu Sanjie legend while enabling its artistic presentation and dissemination to better meet the aesthetic needs and habits of modern society.Liu Sanjie can be regarded as a regional and ethnic extension of the spiritual symbols of Chinese civilization,representing a distinctive component within the spiritual symbol system of Chinese civilization.Moreover,the modern transformation of its artistic presentation and dissemination methods provides a typical case for studying the creative transformation and innovative development of China’s outstanding folk traditional culture.
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