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作 者:胡全章[1] HU Quanzhang(School of Literature,Henan University,Kaifeng,Henan,475001,China)
出 处:《南都学坛》2025年第2期27-34,共8页Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University
基 金:国家社会科学基金重大项目“中国文学学术现代化进程研究”(项目编号:21&ZD263)。
摘 要:1903年夏秋时节,以国内外中文革命报刊为主阵地形成的新诗坛掀起了一股强劲的革命诗潮;同年季夏,陈巢南刊发于东京《江苏》杂志的《革命之歌》,高举排满反清和民族主义旗帜,宣扬革命须臾不可延缓的道理,成为革命诗歌成潮之际的潮头性作品。近代革命报刊视域下的巢南诗,表现出坚定的民族民主革命立场、磊落多英的志士襟怀和学有根底的大家气象,兼有志士之诗和学人之诗的双重气质。从清光绪末叶到民国初年,在近代革命诗潮的形成、发展、尾声及余响阶段,均可见革命文士陈巢南头角峥嵘的活跃身影。In the summer and autumn of 1903,a new poetic movement emerged,rooted primarily in revolutionary Chinese newspapers and periodicals at home and abroad,igniting a vigorous wave of revolutionary poetry.In midsummer of the same year,Chen Chaonan published“The Song of Revolution”in the Tokyo-based magazine Jiangsu.This work,prominently advocating anti-Manchuism,opposing the Qing Dynasty,and championing nationalism,underscored the urgency of revolution and became a pivotal piece at the forefront of this poetic tide.Examined through the lens of modern revolutionary newspapers and magazines,Chen Chaonan’s poetry reveals a steadfast commitment to national democratic revolution,a bold and heroic disposition,and a cultivated scholarly demeanor.It exhibits the dual qualities of being both the poetry of a revolutionary patriot and that of an intellectual.From the late Guangxu period of the Qing Dynasty to the early Republic of China era,across the formation,rise,culmination,and echoes of the revolutionary poetic movement,Chen Chaonan’s influential and dynamic presence stands as a testament to his literary and revolutionary significance.
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