她叙事:现实指涉、形象重塑与价值回归——近几年国产都市言情剧探析  

She Narrative:Reality Reference,Image Reconstruction and Value Return of Domestic Urban Romance Dramas in Recent Years

作　　者：高心怡 殷昭玖[1] GAO Xinyi;YIN Zhaojiu(Media College,Shandong University Of Arts,Jinan 250300,China)

机构地区：[1]山东艺术学院传媒学院,山东济南250300

出　　处：《中北大学学报(社会科学版)》2025年第2期127-132,共6页Journal of North University of China:Social Science Edition

摘　　要：继《欢乐颂》《我的前半生》等都市言情剧播出之后,近几年又不断涌现了许多较为优秀的都市言情剧作品,引起观众的关注。以近几年的国产都市言情剧为例,从“她经济”时代下萌生的“她叙事”视角切入,现实情感生活危机爆发的背后,社会权力机制是其根源所在,而重构的女性形象,则通过更多女性叙述展现着女性的精神成长与生命体悟。同时,一些作品为强调女性主体地位对身体符号进行的编码行为,也折射出如今消费主义与“她叙事”策略结合的利与弊。After the broadcast of Ode to Joy and My First Half of Life,many excellent domestic urban romance dramas have emerged and attracted the attention of viewers in recent years.This article studies recent domestic urban romance dramas from the“she narrative”perspective arising in the“she economy”era.It is found that the social power mechanism is the root cause behind the emotional crises in real life,and the reconstructed female image reflects women’s spiritual growth and life insights through more female narratives.At the same time,some works,in emphasizing the status of women,engage in the coding of bodily symbols,which also reflects the advantages and disadvantages of the combination of consumerism and“she narrative”strategies today.

关 键 词：现实情感 女性叙事 消费主义 都市言情剧 

分 类 号：J905[艺术—电影电视艺术]