中国小提琴音乐演奏的民族化审美特征  

Study of Ethnic Aesthetics of Chinese Violin Music Performance

作　　者：程辰 杨博华 CHENG Chen;YANG Bohua(The Arts Faculty,North University of China,Taiyuan 030051,China)

机构地区：[1]中北大学艺术学院,山西太原030051

出　　处：《中北大学学报(社会科学版)》2025年第2期133-140,共8页Journal of North University of China:Social Science Edition

摘　　要：小提琴艺术在中国历经百年发展,深受中国古典美学观念和审美形态的浸润,从旋律构思到情感表达均蕴含中国古典美学的审美追求。中国小提琴音乐演奏的民族化审美主要包括:节奏节拍方面,主要体现为非均分节奏与散板节拍的自由与随意性,具有“律动飘逸”之美;旋律音调方面,主要体现为线性旋律的连贯与通畅、音色的纯净细腻以及情感表达的含蓄内敛上,具有“声韵和谐”之美;审美追求方面,主要表现为作品通过特殊技巧营造一种超脱尘世的艺术境界,具有“意境空灵”之美。这些审美特征共同构成中国小提琴音乐演奏的民族化风格,展现出中西音乐文化交融的独特魅力。Violin art in China has developed over a century,deeply influenced by Chinese classical aes-thetics and forms of artistic expression.Both of its melody conception to emotional expression embody the characteristics of traditional Chinese classical aesthetics.The ethnic aesthetics of Chinese violin music perfor-mance are reflected as irregular rhythms,free beats,and harmonious melody and sound which are expressed through smooth melodies,pure sound,and restrained emotional expression.In addition,Chinese violin music performance has ethereal artistic context which is created through the use of special techniques.These aesthetic characteristics together form the ethnic style of Chinese violin music performance,showcasing the unique charm of the fusion of Chinese and Western musical cultures.

关 键 词：中国小提琴 演奏艺术 民族化 审美特征 

分 类 号：J622.1[艺术—音乐]