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作 者:鄢冬[1] 崔向阳 YAN Dong;CUI Xiang-yang(School of Literature and Journalism,Inner Mongolia University,Hohhot 010021,China)
机构地区:[1]内蒙古大学文学与新闻传播学院,内蒙古呼和浩特010021
出 处:《内蒙古大学学报(哲学社会科学版)》2024年第6期58-63,共6页Journal of Inner Mongolia University(Philosophy and Social Sciences)
基 金:内蒙古自治区哲学社会科学规划项目(项目批准号:2023NDC175)。
摘 要:安达组合在综艺节目中改编了歌曲《孤勇者》《平凡之路》,凭借独特的音乐风格惊艳四座,破圈传播。安达组合把呼麦、马头琴等蒙古族传统音乐元素,以一种世界性、时尚性的音乐语言和表现理念糅合在一起,走出了一条特色鲜明的民族音乐道路。安达组合破圈之基在于,通过本民族特有的音乐语言符号与受众进行多频互动,进而形成了“审美共同体”。同时,其音乐语用符号指向各民族共享的记忆资源,勾连起具备“凝聚性结构”特质的文化审美方式。民族记忆与审美共同体互生,不仅体现了中华民族的文化信仰,也实现了铸牢中华民族共同体意识在大众文化中的有效融入。Anda Group amazed audience in a variety show by adapting the songs"Lonely Warrior"and"The Ordinary Way"in their unique musical style,achieving crossover popularity.Anda Group has forged a distinctive path in folk music by blending traditional Mongolian musical elements such as hoomei and horse-head fiddle with a universal and trendy musical lan-guage and expressive concept.The foundation of Anda Group's crossover success lies in the multi-frequency interaction with au-dience through the unique musical language symbols of the ethnic group,thus forming an"aesthetic community".At the same time,their musical language symbols point to the shared memories among all ethnic groups,evoking a cultural aesthetic approach characterized by a"cohesive structure".The mutual growth of ethnic memory and aesthetic community not only reflects the cul-tural beliefs of the Chinese nation,but also achieves the effective integration of the consciousness of the Chinese national community into popular culture.
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