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作 者:赵然 ZHAO Ran(School of Chinese Language and Literature,Xi'an Foreign Studies University,Xi'an,Shaanxi 710000,China)
机构地区:[1]西安外国语大学中国语言文学学院,陕西西安710000
出 处:《焦作大学学报》2025年第1期23-27,共5页Journal of Jiaozuo University
摘 要:以“作者身份焦虑”理论为基础,从女性作者身份焦虑来源、性别身份焦虑的空间表现以及作者身份焦虑的纾解三方面对美国自白派女作家安妮·塞克斯顿诗歌创作中的身体空间、现实空间和文学空间进行分析。通过探讨“疯女人”迷狂式的书写方式,得出女性作家的身份焦虑源于以男性为主导的文化社会的压制和诗人创作过程中的复杂心理。借助分析诗人多维度的身份焦虑,揭示女性创作过程中的痛苦经验,为建立两性和谐相处的文学创作环境提供新的契机和图式。Based on the theory of“author identity anxiety”,this paper analyzes the physical space,realistic space and literary space in the poetry creation of American confessional female writer Anne Sexton from three aspects:the sources of female author identity anxiety,the spatial expression of gender identity anxiety and the relief of author identity anxiety.By exploring the crazy writing style of“madwoman”,it is concluded that the identity anxiety of female writers stems from the suppression of male dominated cultural society and the complex psychology of poets in the creative process.With the help of analysis of the multidimensional identity anxiety of poets,this study reveals the painful experiences of women in the creative process,providing new opportunities and patterns for establishing a harmonious literary creation environment between genders.
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