新中国云南少数民族题材绘画的特色成因  

The Characteristics and Causes of Yunnan Minority Themed Paintings in New China

作　　者：马贵中[1] 毛显丽[1] MA Guizhong;MAO Xianli(Arts Academy,Honghe University,Mengzi Yunnan 661100,China)

机构地区：[1]红河学院美术学院,云南蒙自661199

出　　处：《文山学院学报》2025年第1期31-35,共5页Journal of Wenshan University

基　　金：云南省哲学社会科学艺术科学规划项目“新中国云南民族题材绘画研究”(A2020YM12)。

摘　　要：云南绘画因地处边陲,虽历史悠久厚重,但相较内地依显单薄,新中国成立至今,云南绘画事业欣欣向荣,取得了蓬勃的发展。其中,以云南少数民族为原型进行的民族题材绘画创作在我国美术事业发展中颇具分量,是中国少数民族题材绘画的重要组成部分,也是传播云南少数民族文化的重要载体。云南民族题材绘画在发展中逐渐形成了浓厚地方特色。云南的边缘性与原生态、原始与神秘、野拙与浪漫、特殊地域下生成的历史文化,造就了云南少数民族题材绘画特色。Because Yunnan is located in the border,although its painting has a long and rich history,it is relatively weak compared with the mainland.Since the founding of the People’s Republic of China,Yunnan painting has made unprecedented vigorous development and flourished.Among them,the creation of ethnic theme paintings based on Yunnan ethnic minorities is more important in the development of China’s fine arts industry.It is an important part of Chinese ethnic minority theme paintings and an important carrier for the dissemination of Yunnan minority culture.Yunnan ethnic paintings have gradually formed strong local characteristics in the development.Yunnan’s borderline and original ecology,the primitive and mysterious,the wild and romantic,and the historical culture generated under the special region have created the characteristics of Yunnan minority painting.

关 键 词：少数民族题材 绘画 云南 

分 类 号：J212[艺术—美术]