《百琲明珠》与杨慎“清艳”词学观的确立  

A Miscellany of Poetic Gems and the Establishment of Yang Shen's"Elegant"View

作　　者：林学阳 LIN Xueyang(Renmin University of China,Beijing,100872,China)

机构地区：[1]中国人民大学,北京100872

出　　处：《文化创新比较研究》2025年第3期1-5,共5页Comparative Study of Cultural Innovation

摘　　要：《百琲明珠》所选词作、书名、评语及文献之间的交互关系,蕴含着杨慎的词学观念。较之以《草堂诗余》为代表的“应歌”词选,《百琲明珠》在编纂意图和词学观念上突破了明中叶“尚俗”之范式,渗透着“艳而清”的审美趣向。由于杨慎的身世学养以及对前代词选的继承与创新,“清”与“艳”呈现出内在意蕴和外在表达上的两重性与融合性:“明珠”之清在于词作的清逸高格与清浅之辞;“明珠”之艳则表现为艳情题材与绮靡艳语。“清”与“艳”可以兼容,且清艳合一正是杨慎编选此书的最高标准。杨慎的词学思想呈现出动态的特征,从《百琲明珠》到《词品》,留下了词学观上鲜明的递嬗之迹。The interaction between the selected works,book titles,comments,and literature in A Miscellany of Poetic Gems embodies Yang Shen's concept of ci poetry.Compared to the selection of Yingge lyrics represented by Caotang Shiyu,A Miscellany of Poetic Gems breaks through the paradigm of"vulgar"in the mid Ming Dynasty in terms of compilation intention and poetic concepts,and permeates the"bright and clear"aesthetic taste.Due to Yang Shen's background and upbringing,as well as his inheritance and new changes in the selection of pronouns,"qing"and"yan"present a duality and fusion of internal meaning and external expression:the clarity of"pearl"lies in the elegant and lofty style and shallow language of his poetry;the beauty of"pearl"is manifested in erotic themes and enchanting language."Qing"and"yan"are compatible,and the unity of"qing"and"yan"is the highest standard for Yang Shen to compile this book.Yang Shen's poetic thought presents a dynamic feature,leaving a distinct trace of evolution in the perspective of ci studies from A Miscellany of Poetic Gems to Ci Pin.

关 键 词：《百琲明珠》 杨慎 清艳 明代词学 明代词选 唐宋词受容 

分 类 号：I207.23[文学—中国文学]