有情的生命形式——《秦腔》的声音景观及其功能意义  

Emotional Forms of Life--Soundscape and Functional Significance of Qin Opera

作　　者：范天园 FAN Tian-yuan(College of Humanities,Zhejiang Normal University,Jinhua 321004,Zhejiang)

机构地区：[1]浙江师范大学人文学院,浙江金华321004

出　　处：《商洛学院学报》2025年第1期7-13,共7页Journal of Shangluo University

摘　　要：《秦腔》的声音景观具有抒情、寓意、构形的重要功能。贾平凹将戏曲嵌入文本,不仅使整部小说弥漫着今不胜昔的抒情氛围,还表征着传统乡土文化的重大变迁。同时,这种戏曲嵌入式结构也有效地调节着小说的叙事节奏,并依托声音的重复与互文营造出回环复沓、一咏三叹的诗意。由此,作为内容的秦腔和作为形式的秦腔有机融合,是文本象意的最佳方式,也是贾平凹有情生命的具象化形式。The soundscape in Qin Opera has important functions in expressing the emotion,conveying meaning and organizing the narrative structure.Jia Pingwa embedded local operas into the novel,not only does it fill the entire novel with a lyrical atmosphere that evokes a sense of nostalgia for the past,but also represents significant changes in traditional local culture.Simultaneously,this embedded structure in traditional Chinese opera also effectively regulates the narrative rhythm of the novel,and relies on the repetition and intertextuality of sound to create a poetic feeling.Consequently,the fusion of Qin Opera as content and Qin Opera as form is the best way of textual imagery,and also the concrete form of Jia Pingwa's emotional life.

关 键 词：《秦腔》 生命形式 抒情 声音景观 

分 类 号：I207.425[文学—中国文学]