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作 者:杨怡静[1] YANG Yi-jing(School of Art,Sichuan University,Chengdu 610207,China)
出 处:《编辑之友》2025年第2期64-71,共8页Editorial Friend
基 金:国家社会科学基金项目“新世纪以来中国城市形象片的民间创作机制与传播效果研究”(19CXW022)。
摘 要:我国民间城市形象片的崛起,是近年来具有鲜明时代特征的文艺创作现象。就叙事主题意涵而言,民间城市形象片表现出创作者对网感化叙事、想象力叙事与陌生化叙事的大胆追求,以充满创意的赛博朋克之城、动画卡通之城、数字游戏之城共同描绘出具有后现代特征的城市图景。就视听创意手段而言,以鸟瞰视角为代表的城市视觉疆域的变形延展,以速度仪式为核心的城市视觉节奏的持续提升,以及以音响修辞为主旨的城市听觉形态的独特表达,建构起当代城市影像全新的视听体验、审美感知与价值认同。就传播形态特征而言,民间城市形象片在传者与受众、共性与个性、真实与虚拟、生产与消费等多元维度出现边界消融,城市影像成为人与网络媒介共生建构的产物,表现出诸多社交性媒介话语特征。The rise of Chinese folk urban image films is a literary creation phenomenon with distinctive contemporary characteristics in recent years.In terms of the connotation of thematic narrative,the folk city image films represent the creators'bold pursuit of net-influenced narration,imaginative narration and defamiliarization narration.In the meanwhile,these narrative approaches work in concert with creative cyberpunk city,animated cartoon city and digital game city to depict the urban landscape with postmodern characteristics.In terms of the means of audio-visual creation,the transformation and extension of urban visual territory represented by bird's-eye view,the continuous improvement of urban visual rhythm with speed ceremony as the core,and the unique expression of urban auditory form with audio rhetoric as the theme,jointly construct a new audio-visual experience,aesthetic perception and value identification of contemporary urban image.In terms of the characteristics of communication forms,the boundaries of folk urban image films have melted in multiple dimensions,such as disseminators and audiences,universality and individuality,reality and virtuality,production and consumption,and etc.Urban images have become the product of symbiotic construction between people and network media,showing many characteristics of social media discourse.
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