清代通景贴落画对西方透视法的吸收与借鉴  

The Absorption and Reference of the Western Perspective from the Tongjing Tieluo Painting in Qing Dynasty

作　　者：武雅茹 李尤松[1] WU Yaru;LI Yousong(School of Art and Design,Beijing Institute of Graphic Communication,Beijing 102600,China)

机构地区：[1]北京印刷学院设计艺术学院,北京102600

出　　处：《北京印刷学院学报》2025年第2期67-74,共8页Journal of Beijing Institute of Graphic Communication

摘　　要：西方传教士画家将西方透视法传入清代宫廷,中国宫廷画师与传教士画师合作创造出一种清代宫廷所独有的绘画形式:通景贴落画,它吸收运用了多种西方透视方法,并形成了中西合璧的艺术风格,也营造出一种奇幻的视觉空间。本文归纳了通景贴落画的四种类型,即贴落式通景画、人物与建筑实体结合的仕女画、中大尺幅的通景画、五面围合式通景画,分析了清代通景贴落画对西方透视法的吸收与改造的具体方法,及其背后的审美主张。Western missionary painters introduced the Western perspective method to the Qing court,and Chinese court painters and missionary painters cooperated to create a unique painting form of the Qing Palace,which absorbed and used a variety of specific perspective methods,formed an artistic style combining Chinese and Western elements,and created a fantastic visual space.Using the methods of literature research,image analysis and interdisciplinary research,this paper analyzes the absorption and transformation of the western perspective of Tongjing Tieluo painting in Qing Dynasty,and the aesthetic proposition behind it.

关 键 词：西方透视法 通景贴落画 空间幻术 

分 类 号：J212[艺术—美术]