商周青铜纹样的演变及其文化映射  

The evolution of bronze patterns in the Shang and Zhou Dynasties and their cultural mapping

作　　者：范硕 杨雪儿[1,2,3] 马一心 谢雯 祝成炎 张红霞[1,2,3] FAN Shuo;YANG Xueer;MA Yixin;XIE Wen;ZHU Chengyan;ZHANG Hongxia(Key Laboratory of Advanced Textile Materials and Manufacturing Technology,Ministry of Education,Zhejiang Sci-Tech University,Hangzhou 310018,China;National Engineering Lab for Textile Fiber Materials and Processing Technology,Zhejiang Sci-Tech University,Hangzhou 310018,China;Zhejiang Provincial Key Laboratory of Fiber Materials and Manufacturing Technology,Zhejiang Sci-Tech University,Hangzhou 310018,China)

机构地区：[1]浙江理工大学先进纺织材料与制备技术教育部重点实验室,杭州310018 [2]浙江理工大学纺织纤维材料与加工技术国家地方联合工程实验室,杭州310018 [3]浙江理工大学浙江省纤维材料和加工技术研究重点实验室,杭州310018

出　　处：《浙江理工大学学报(社会科学版)》2025年第1期104-111,共8页Journal of Zhejiang Sci-Tech University:Social Sciences

基　　金：国家自然科学基金青年项目(NSFC52203074);中央外经贸发展专项资金(茧丝绸)项目(浙财建[2024]99号);浙江理工大学基本科研业务费立项项目(2023330001004290)。

摘　　要：中原地区作为商周文化的核心区域,其青铜器纹样种类繁多,是商周文化的重要载体。该研究以中原地区商周青铜纹样为主要研究对象,从纹样的组合规律、组织结构与装饰风格三个角度分析,旨在揭示青铜纹样的演变特征,并探讨其与商周文化之间的映射关系。研究结果表明,从商代早期至西周晚期,青铜纹样受观念和礼制的影响,经历了从简单的单层带状二方连续几何图案,到复杂的多层二方、四方连续动物纹样,再到简化的单层带状二方连续几何纹样的演变过程。这一变化不仅反映了古人从图腾崇拜到尊神重鬼,再到尚德保民的思想演进,也映射出商周时期政治背景与思想文化的深刻变迁。该研究可为现代青铜纹样的创新设计提供参考借鉴,并有利于商周青铜文化的传承与发展。As the core area of Shang and Zhou culture,the central plain region is an important carrier of the culture of the Shang and Zhou Dynasties.Focusing on the bronze patterns of the Shang and Zhou Dynasties,the article aims to reveal the evolutionary characteristics of bronze patterns from the perspectives of pattern combination,organizational structure,and decorative style,and to explore their mapping relationship with Shang and Zhou culture.The research shows that from the early Shang Dynasty to the late Western Zhou Dynasty,the bronze patterns were influenced by ideological concepts and ritual systems,and gradually evolved from simple geometric patterns with single-layer strip and two-dimension continuity to the complex animal patterns with multiple layers and two-dimension or four-dimension continuity,and then tended to simplified geometric patterns with single-layer strip and two-dimension continuity.The evolution not only reflects the ancient people′s ideological evolution from totem worship to reverence for gods and ghosts,and to the ideological concept of esteeming virtue and protecting people,but also reflects the profound changes of political background and ideological culture in the Shang and Zhou Dynasties.To sum up,the study provides reference for the innovative design in modern bronze patterns and promotes the inheritance and development of Shang and Zhou bronze culture.

关 键 词：青铜纹样 商周青铜器 演变特征 文化映射 文化内涵 

分 类 号：J522.2[艺术—艺术设计]