载酒堂的文化意蕴  

Cultural Connotations of the Carrying Wine Hall

作　　者：黎红雷[1] LI Honglei(Department of Philosophy,Sun Yat-sen University,Guangzhou 510275,China)

机构地区：[1]中山大学哲学系,广州510275

出　　处：《海南热带海洋学院学报》2025年第1期37-43,共7页Journal of Hainan Tropical Ocean University

摘　　要：载酒堂是一代文豪苏东坡在海南传播文化功业的重要标志之一。在载酒堂的文化氛围中,东坡先生似乎形成了无酒不欢的行事风格,对自己无酒不书,对朋友无酒不言,对弟子无酒不教。表面上是索酒、送酒、饮酒,实际上是彰显东坡先生特立独行、快意人生、不流于世俗的精神气质。在这个意义上,载酒堂不仅是苏东坡本人精神家园的所在,也是东坡与本土士人精神契合的写照,更是苏门师弟精神气质的象征。The Carrying Wine Hall is one of the important symbols of the great literary master Su Dongpo’s cul-tural dissemination contributions in Hainan.In the cultural atmosphere of the Carrying Wine Hall,it seems that Su Dongpo developed a behavior style where he would not be happy without wine.He wouldn’t write without wine,wouldn’t talk to friends without wine,and wouldn’t teach his disciples without wine.On the surface,it was about asking for wine,giving wine,and drinking wine.In fact,it demonstrated Su Dongpo’s maverick,carefree,and unworldly spiritual temperament.In this sense,the Carrying Wine Hall is not only the spiritual home of Su Dongpo,but also a portrayal of the spiritual harmony between Su Dongpo and local scholars,and even a symbol of the spiritual temperament of Su Dongpo and his disciples.

关 键 词：苏东坡 黎子云 载酒堂 文化意蕴 

分 类 号：I209.9[文学—中国文学]