论“十七年”文学批评的类型与审美特征  

On the Types and Aesthetic Characteristics of Literary Criticism in“Seventeen Years”

作　　者：曹书文[1] CAO Shu-wen(College of Literature,Henan Normal University,Xinxiang 453007,China)

机构地区：[1]河南师范大学文学院,河南新乡453007

出　　处：《聊城大学学报(社会科学版)》2025年第1期138-144,共7页Journal of Liaocheng University:Social Science Edition

基　　金：国家社会科学基金项目(18BZW121):“十七年”文学评论的历史经验与新时代文学批评精神建构研究。

摘　　要：从文学批评者的政治立场、批评观念、批评标准与批评实践来看,“十七年”文学批评或注重对主流意识形态话语的阐释、或兼顾政治话语与审美话语的融合、或立足于作家的艺术经验,由此形成三种不同的文学批评。但在具体的批评实践活动中,批评者并非完全按照固定的类型进行文学批评,不同的文学批评之间既有相互交叉,也会随着形势的变化出现批评话语的改变。他们之间相生相克,形成一种艺术张力,一方面表明他们对马克思主义文艺理论与批评的不同理解,同时也显示出其内涵的丰富性、复杂性与矛盾性。各类文学批评共同构成了一体化文学批评格局,在整体上为政治服务、为人民服务的前提下实现文学批评政治的与审美的功能。From the perspective of the political stance,critical concepts,critical standards,and critical practices of literary critics,the“Seventeen Years”literary criticism either emphasizes the interpretation of mainstream ideological discourse,balances the integration of political discourse and aesthetic discourse,or is based on the artistic experience of writers.However,in specific critical practice activities,critics do not completely follow a fixed type of literary criticism.Different literary criticisms intersect with each other and also change their critical discourse with changes in the situation,thus forming three different literary criticisms in the integrated literary criticism pattern.They interact with each other to form an artistic tension,indicating their different understandings of Marxist literary theory and criticism,as well as their changeability,complexity,and contradictoriness.To achieve the political and aesthetic functions of literary criticism while serving politics and the people as a whole.

关 键 词：一体化文学 文学批评 审美特征 

分 类 号：I206.7[文学—中国文学]