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作 者:周术[1] 纪汝昕 陈中高 ZHOU Shu;JI Ruxin;CHEN Zhonggao(School of Architecture,Yantai University,Yantai 264005,China)
出 处:《烟台大学学报(自然科学与工程版)》2025年第1期74-80,共7页Journal of Yantai University(Natural Science and Engineering Edition)
基 金:山东省社科规划研究项目(22CWYJ34)。
摘 要:透视媒介与建筑本体的联系在历史中一直是动态的。当透视媒介逐渐成为建筑本体的替代品时,媒介感知与建筑感知的差异是都市空间“真实感知日渐退场”的症结所在。因此,在梳理透视媒介与建筑本体的关联的基础上,比较分析“设计过程”中媒介感知和“使用过程”中建筑感知的视知觉差异,是探讨二者协调同步与有效对接的重要基础,对于提高媒介影响下的城市生活质量,重新建构似乎久违的场所意义,具有重要意义。The relationship between perspective media and architecture ontology has always been dynamic in history.When the perspective media has gradually become a substitute for the building itself,the difference between media perception and architecture perception is the crux of the‘real perception of urban space is fading away’.Therefore,on the basis of combing the relationship between the perspective media and the architecture ontology,the comparative analysis of the visual perception differences between the media perception in the‘design process’and the architectural perception in the‘use process’is an important basis for exploring the coordination,synchronization and effective docking of the two.It is of great significance to improve the quality of urban life under the influence of the media and to reconstruct the meaning of the place that seems to have been lost for a long time.
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