“内面”观照:鲁迅的诗性启蒙及其话语表征  

“Inward”Contemplation:Lu Xun’s Poetic Enlightenment and Discursive Representation

作　　者：任金刚 Ren Jingang(College of Liberal Arts,Southwest University,Chongqing,China)

机构地区：[1]西南大学文学院,重庆400715

出　　处：《社会科学论坛》2025年第2期101-111,共11页Tribune of Social Sciences

基　　金：国家社会科学基金重大项目《中国现当代文学思想史》阶段性成果,项目编号:19ZDA274。

摘　　要：在重“实利”而轻“文艺”的维新时代,鲁迅看到了西方科技与政治强盛背后的主体性力量,提出以“文”撄“心”,由“心”立“人”的诗性启蒙主张。作为启蒙者,在主体狂欢的“五四”时代,他通过自我怀疑和否定的“多疑”机制,进行着知识者的自我启蒙。隐秘的主体自斥,借由作家的书写向外“敞开”,其作品中异变的词语、曲折的句式、反讽的修辞以及节制的抒情,都是主体内部矛盾显现于鲁迅创作中的话语景观。In the era of reform where“practicality”was valued over“literature and art”,Lu Xun recognized the subjective power behind the technological and political strength of the West.He proposed a poetic enlightenment approach of“stirring the heart with literature”to“establish humanity through the heart”.As an enlightener during the May Fourth period,characterized by a celebration of subjectivity,Lu Xun engaged in self-enlightenment through a mechanism of“suspicion”marked by self-doubt and negation.This concealed self-reproach of the subject,expressed outwardly through the writer’s pen,is manifested in the transformed words,convoluted sentence structures,ironic rhetoric,and restrained lyricism in his works,reflecting the internal contradictions of the subject within Lu Xun’s literary discourse.

关 键 词：鲁迅“ 内面”观照 诗性启蒙 主体生成 话语表征 

分 类 号：I209[文学—中国文学]