论电影《妈妈!》的疾病隐喻与母性救赎  

On Disease Metaphor and Maternal Redemption of the Film Song of Spring

作　　者：陈玉璇 CHEN Yu-xuan(School of Chinese Language and Literature,South China Normal University,Guangzhou Guangdong,510631)

机构地区：[1]华南师范大学文学院,广东广州510631

出　　处：《山西大同大学学报(社会科学版)》2025年第1期101-105,共5页Journal of Shanxi Datong University(Social Science Edition)

基　　金：国家社科基金重点项目“‘50后’作家的文学经验及问题研究”(20AZW018)。

摘　　要：电影《妈妈!》聚焦于一个日益困扰许多家庭的社会议题:阿尔茨海默病。失智之后的生命何去何从?影片中这个由阿尔茨海默病引发的问题不只存在于显性的临床症状与现实困境,也存在于另一隐晦的关于十年浩劫的历史伤痕之中。影片使用了大量的“水”意象,以“水”为介质回溯历史的创伤记忆,将疾病隐喻为心魔的表征,勾连起冯济真的阿尔茨海默病与其因历史创伤而背负一生的“弑父”罪责之间的隐晦关系。在历史创伤与现实困境中,冯济真与母亲经历了两次亲子角色的倒置。母性由此呈现了极致的坚韧,并成为一代人疾病与伤痕最后的救赎。The film Song of Spring focuses on a social issue that is increasingly plaguing many families:Alzheimer’s disease.What Happens to Life after the Loss of Sanity?In the film,the problem caused by Alzheimer’s disease exists not only in the obvious clinical symptoms and practical difficulties,but also in another obscure historical undercurrent about the“Cultural Revolution”.The film uses a lot of“water”image,using“water”as a medium to recall the traumatic memory of history.It metaphorically refers to disease as a manifestation of mental demons,linking Feng Jizhen’s Alzheimer's disease to his lifelong“patricide”guilt due to historical trauma.In the historical trauma and realistic dilemma,Feng Jizhen and her mother experienced two inversion of parent-child roles.Motherhood thus presents an extreme resilience and becomes the final redemption of a generation’s wounds and diseases.

关 键 词：《妈妈!》 阿尔茨海默病 疾病隐喻 母性救赎 

分 类 号：I106.35[文学—世界文学]