白桦派与日本近代文学中的女佣书写  

The Writing of Maids in Shirakabaha and Modern Japanese Literature

作　　者：张萱萱 ZHANG Xuan-xuan(School of Foreign Studies,Tongji University,Shanghai,200082)

机构地区：[1]同济大学外国语学院,上海200082

出　　处：《山西大同大学学报(社会科学版)》2025年第1期111-115,共5页Journal of Shanxi Datong University(Social Science Edition)

摘　　要：通过对日本近代文学作品中的女佣形象进行梳理,可以发现这一通常被忽视的文学形象实则蕴含着丰富内涵,极具研究价值。女佣在当时日本上流及中产阶级家庭中扮演着不可或缺的角色,她们不仅是家务劳动的承担者,更与家庭内部的阶级结构、情感交流、伦理道德紧密相连,是家庭中无血缘关系的他者,处于家庭内外分界线上的特殊存在。日本白桦派作家大多出身于上流阶层,青年时期受到基督教思想的强烈影响。基督教对性欲的彻底否定,使他们的创作或多或少带有“性压抑”与“性苦闷”的色彩。他们将自身与女佣失败的恋爱经历升华为文学创作的动力,借此确立了作品在日本近代文学史中的重要地位。By sorting out the images of maids in modern Japanese literary history,it can be found that the often overlooked literary image of maids has rich connotations and research value that needs to be explored.As an indispensable member of the upper and middle class families in Japan at that time,maids were not only engaged in household chores,but also closely related to the class structure,emotional communication,and ethical morality within the family.They were non blood related individuals within the family and existed on the boundaries between inside and outside the family.Most of the writers of the Shirakabaha were strongly influenced by Christian thought during their youth,and the complete negation of sexual desire by Christianity made their creations more or less tinged with“sexual repression”and“sexual distress”.They elevated their failed love experiences with maids into the driving force of literary creation,they established their important position in modern Japanese literary history.

关 键 词：白桦派 志贺直哉 日本近代文学 女佣书写 

分 类 号：I106[文学—世界文学]