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作 者:杜艳华 DU Yanhua(College of Physical Education,Hunan Normal University,Changsha 410012,China)
出 处:《南京体育学院学报》2025年第1期77-80,共4页Journal of Nanjing Sports Institute
基 金:国家社会科学基金项目:中国武术审美文化史研究(22BTY111)。
摘 要:《中国武术审美现代性批判与当代发展》一书从审美现代性视角切入,以批判性思维审视当代武术发展现状。自21世纪以来,在审美现代性支配下,武术发展出现了艺术化、消费化、神秘化、同质化倾向。作者通过查阅大量的中西方现代性和审美现代性的文献,梳理了传统与现代的美学范式,力图弄清审美现代性的内在逻辑与运行轨迹、厘定审美现代性的复杂境遇。武术审美现代性(价值理性)是对武术现代性(工具理性)的否定,对武术审美现代性进行批判,不是全盘否定,而是理性回归、修正和超越。在探寻正确的价值取向的过程中,纠正武术审美现代性的极端化现象,彰显武术现代性的内在合理性,能够提供一种良性的参照,助力当代武术发展。本文从内容、视角、思维、表达等几个层面,剖析了该书的内涵与特色,与读者分享。The book Critique and Contemporary Development of Aesthetic Modernity in Chinese Wushu starts from the perspective of aesthetic modernity and examines the current development status of contemporary Wushu through critical thinking.Since the 21st century,under the domination of aesthetic modernity,the development of Wushu has shown a tendency towards artistic,consumer,mystical,and homogeneous tendencies.The author reviewed a large number of literature on both Eastern and Western modernity and aesthetic modernity,and sorted out the aesthetic paradigms of tradition and modernity,striving to clarify the internal logic and operational trajectory of aesthetic modernity,and to define the complex situation of aesthetic modernity.The aesthetic modernity of Wushu(value rationality)is a negation of the modernity of Wushu(instrumental rationality).In the process of exploring the correct value orientation,correcting the extreme phenomenon of aesthetic modernity in Wushu,highlighting the inherent rationality of Wushu modernity,can provide a positive reference and help the development of contemporary Wushu.This article analyzes the connotation and characteristics of the book from several aspects such as content,perspective,thinking,and expression,and shares it with readers.
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