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作 者:高吉 Gao Ji
机构地区:[1]华东师范大学马克思主义学院 [2]新疆师范大学马克思主义学院
出 处:《新疆社科论坛》2024年第6期38-46,共9页Tribune of Social Sciences in Xinjiang
基 金:国家社科基金高校思政课研究专项“伟大建党精神融入新疆高校立德树人教育研究”(项目编号:22VSZ084);新疆维吾尔自治区社会科学界联合会新时代党的治疆方略理论与实践研究中心课题“习近平文化思想指导文化润疆工作实践研究”(项目编号:2024ZJFLZO1);新疆师范大学智库招标课题“在文化认同中渗透文化润疆落地深根的理论与实践研究”(项目编号:ZK2024C21)的阶段性研究成果。
摘 要:讲好新疆故事植根于马克思主义理论的根基,论证了中国共产党不断深化党的宣传思想文化工作。从现实环境来看,讲好新疆故事是主导意识形态领导权、话语权的战略需要;是展现新疆形象,提升中国文化软实力的迫切需要;是回应西方不实舆论,推进铸牢中华民族共同体意识的助推器。通过对《新疆日报》的特别栏目“新疆是个好地方”选材进行定量分析,剖析“新疆旅游宣传类报道”“新疆旅游故事类报道”“新疆旅游宣传推介类报道”三种不同的报道模式做好“新疆是个好地方”的宣传报道。通过分析得出报道始终坚持党性原则、人民原则、真实原则,最后提出讲好新疆故事要增强阵地意识,突出讲好新疆故事的功能性;增强内容意识,突出讲好新疆故事的真实性;注重搭建讲好新疆故事的平台,突出讲好新疆故事方式的多样化。Rooted in Marxist theory,telling a good story of Xinjiang shows that the Chinese Communist Party is keeping on the work of deepening its public communication on morality,ideology and culture.From a practical perspective,telling a good story of Xinjiang is a strategic necessity for maintaining the ideological dominance and discourse power,but also an urgent need to present Xinjiang image and enhance China's cultural soft power,and a response to Western misinformation,acting as a propeller for fostering the sense of community of the Chinese nation as well.By examining three different reporting models:report for Xinjiang tourism promotion;report for stories in Xinjiang tourism;and report for Xinjiang tourism recommendation,and how these models contribute to effective publicity for “Xinjiang is a Good Place”,this paper makes a quantitative analysis of the material selection in the special column “Xinjiang is a Good Place” in Xinjiang Daily,revealing that the reporting consistently adheres to the principles of party spirit,putting people first,and authenticity.Finally,it proposes that effectively telling a good story of Xinjiang requires strengthening awareness of the position,emphasizing the functionality of the story;enhancing quality of content,focusing on the authenticity of the story;and paying attention to building platforms for telling the stories,and highlighting the diversity of the methods in storytelling.
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