宋朝画院制度与民间娱乐行业中的艺术管理  

Art Management in the Painting Academy System and the Folk Entertainment Industry of the Song Dynasty

作　　者：甘奥深 Gan Aoshen(Faculty of Social Sciences,University of Macao,Macao 999078,China)

机构地区：[1]澳门大学社会科学学院,中国澳门999078

出　　处：《台州学院学报》2025年第1期82-87,共6页Journal of Taizhou University

摘　　要：艺术管理作为近现代由西方传入中国的新兴学科,并不是完全意义上的“舶来品”,它所包含的政治体制、文化产业发展、文化经济与市场等在中国古代历史发展脉络上同样有迹可循。宋朝作为中国历史上艺术发展的黄金时期,官方艺术与民间艺术齐头并进,画院制度与勾栏瓦舍作为官方艺术与民间艺术发展的代表,具有广泛的影响与较高的研究价值。从宋朝画院制度与民间娱乐行业着眼,可以展现出宋朝艺术管理的发展概况及中国艺术管理古今发展的一脉相承。As a new discipline introduced from the west to China in modern times,art manage-ment is not entirely"imported".In fact,the political system,the development of cultural industry,the cultural economy and the market it contains leave traces in the historical development of ancient Chi-na.The Song Dynasty was a golden age of art in Chinese history,with the official and folk art going hand in hand.The Painting Academy system and the Goulan Washe respectively represented the devel-opment of the official and folk art,which has wide influence and high research value.Focusing on the Painting Academy system and the folk entertainment industry in the Song Dynasty,the general situation of the contemporary art management development is manifested and the development of Chinese art management in ancient and modern times is in a continuous line.

关 键 词：艺术管理 画院制度 勾栏瓦舍 

分 类 号：K244[历史地理—历史学] J120.9[历史地理—中国史]