出版与文化政治:新中国成立后的上海出版公司  

Publishing and Culture Politics:Shanghai Publishing Company after the Founding of the People's Republic of China

作　　者：管若彤 Guan Ruotong

机构地区：[1]中国人民大学文学院

出　　处：《中国出版史研究》2025年第1期114-125,共12页Research on the History of Publishing in China

摘　　要：新中国成立初期国营出版力量较为薄弱,如何利用并改造数量庞大的私营出版社成为新中国成立后文化领域的重要工作,上海出版公司便是其中之一。新中国成立后,上海出版公司一方面延续此前的出版特色,着重出版美术、历史类书籍,另一方面探索适应新时代需要的出版领域,比如在翻译工作中逐渐从西欧文学转向苏俄文学,同时承担了《鲁迅日记》《可爱的中国》等有重要政治意义书籍的影印工作。上海出版公司最终并入上海新文艺出版社,这构成了新民主主义向社会主义过渡过程的一个缩影。私营出版社的调整和选择,在经济形式上统一,在某种程度上决定了文学生产的体制化特征,无疑构成了当代文学“一体化”进程的重要内涵。In the early days of the People's Republic of China,the state-owned publishing in-dustry was relatively underdeveloped.Assimilating and transforming the large number of private publishing houses became an important task in the cultural field,with Shanghai Publishing Com-pany being one of them.After the founding of the People's Republic of China,Shanghai Publish-ing Company continued its previous publishing focus on fine arts and history books,while also ex-ploring new areas to meet the needs of the new era.For example,there was a shift in translation priorities from Western European literature to Russian literature.At the same time,it undertook the photocopy work of books with political significance such as Lu Xun's Diary and Lovely Mother-land.Eventually,Shanghai Publishing Company merged into Shanghai New Literature and Art Publishing House,which could be seen as a microcosm of the transition from new democracy to socialism.The adjustment and choice of private publishing houses to be unified with the economic model to some extent determined the institutionalized nature of literary production,undoubtedly forming an important element in the process of the“integration”of contemporary literature.

关 键 词：上海出版公司 改革 出版政策 

分 类 号：G239.29[文化科学] K27[历史地理—历史学]