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作 者:杨景春 Yang Jingchun(School of Education,Sichuan University of Business and Technology,Meishan,China)
出 处:《社会科学论坛》2025年第1期91-103,共13页Tribune of Social Sciences
摘 要:自《诗经》“走马”出现,一直没有停止,但各个时期呈现出不同的频次。到了唐代,“走马”更多地走进了诗人的创作,“走”“马”已经凝固为一体,不可分割,几成诗歌创作的特定题材。“走马”组合动感十足,充满想象,动词“走”和名词“马”搭配,这样的生活人所艳羡却难以企及,体现了古人对生活环境的向往、天人合一的哲学思想,为人之心灵提供了诗意的栖居。特定时间空间设置与事由的交代,“走马”能营造出使人回归自然本性具有浪漫情怀的生存建构,依依难舍故土难回的乡愁建构,向死而生脱离自我的超越建构。“走马”对现当代诗学与文化建设的影响亦不可低估。Since the appearance of the term“zouma”in the BookofSongs,it has never stopped,but different periods have shown different frequencies.By the Tang Dynasty,“zouma”more and more entered the creation of poets,and this term had solidified and inseparable,almost becoming a specific theme in poetry creation.The combination of“zouma”is full of vitality and imagination,with the verb“zou”and the noun“ma”in combination.This kind of life is sometimes envied by people but difficult to achieve,reflecting the ancient people’s longing for a harmonious living environment between humans and animals,and the philosophical idea of harmony between heaven and humanity,providing a poetic dwelling for the human soul.The setting of specific time and space and the explanation of reasons can create a romantic survival construction that brings people back to their natural nature,a nostalgic construction that is difficult to leave and return to,and a transcendent construction that breaks away from oneself towards death and life.The influence of“zouma”on modern and contemporary poetics and cultural construction cannot be underestimated.
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