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作 者:崔子涵 CUI Zi-han(School of Chinese Language and Literature,Central China Normal University,Wuhan 430079,China)
出 处:《湖北科技学院学报》2025年第2期35-42,共8页Journal of Hubei University of Science and Technology
基 金:国家社会科学基金重点项目“英美女性诗歌中的神话改写研究”(21AWW010)。
摘 要:镜子意象在H.D.的诗歌,特别是在她具有女性主义色彩的神话改写诗歌中大量出现。在“拉伊斯”中,拉伊斯对自己镜中映像的态度经历了从迷恋到疏离的转变,同时她对自我的认识也得以深化,显示出对那喀索斯神话和拉康理论的反拨。在“欧律狄刻”中,欧律狄刻发现自己在爱情中沦为了被动反映男性的镜子。她们都以镜子为出发点进行了自我反思,而这正是镜子意象的象征意蕴之一。结合制镜技术和光学的发展可以发现,H.D.笔下的镜子意象有着丰富的象征意蕴,它既可以引导人们,特别是女性关注自我,思考自我与他者的关系,又可以作为女性的象征,以其自身的双重性揭示父权社会中女性的地位。Mirror images are abundant in H.D.'s poetry,especially in her mythic rewriting poems with feminist color.In "Lais",Lais' s attitude towards her reflection in the mirror undergoes a transformation from fascination to detachment,while at the same time she deepens her understanding of the self,showing a reversal of the myth of Narcissus and Lacan's theory.In "Eurydice",Eurydice finds herself reduced to a passive mirror of men in love.They both use the mirror as a starting point for self-reflection,which is one of the symbolic meanings of mirror image.Combined with the development of mirror-making technology and optics,it can be found that the mirror image in H.D.'s writing is rich in symbolic meaning,which can not only guide people,especially women,to pay attention to the self and think about the relationship between the self and the other,but also serve as a symbol of women,revealing the status of women in the patriarchal society with its own duality.
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