中国式现代化语境下多民族音乐文本集体记忆的中华民族共同体叙事  

The Collective Memory of Multi-ethnic Music Texts in the Context of Chinese Modernization Chinese Nation Community Narrative

作　　者：王海龙 黄和 Wang Hailong;Huang He

机构地区：[1]青海师范大学音乐学院,青海西宁810008

出　　处：《高原文化研究》2024年第4期8-13,共6页Plateau Culture Research

基　　金：2023年铸牢中华民族共同体意识专题研究项目“中国式现代化语境下多民族音乐文本集体记忆的中华民族共同体叙事”(项目编号:ZLJD202302)阶段性研究成果。

摘　　要：中华民族的历史是由中华各族人民共同书写、共同创造的,是中华民族用自身经历的生命情感经验提炼的“民族文化文本”。正是有了这些通过不同艺术形态“文字”进行书写的各类文本,让群体内部心理体验的“集体无意识”能以一种“有意味”“有目的”的形式记述下来,将一代代群体发展集体记忆的经验为当代国家发展所用。文章以多民族音乐文本的创作与表达、中华民族共同体叙事在多民族音乐文本中的具体彰显和多民族音乐文本中的集体记忆三个方面为切入点,以理论结合例证的方式进行阐释,探讨中国式现代化语境下多民族音乐文本集体记忆的中华民族共同体叙事。China's excellent traditional culture is written and created by people of all ethnic groups in China.It is the Chinese people who refine their own life and emotional experiences into “national cultural texts.” It is precisely with these “words” written through different artistic forms.Various texts allow the “collective unconscious” of the psychological experience within the group to be recorded in a “meaningful”and “purposeful” form,and the experience of developing collective memory of generations of groups can be used for the development of contemporary nations.This article focuses on multi-ethnic groups,the creation and expression of music texts,the specific manifestation of the pluralistic and unified Chinese cultural pattern in multi-ethnic music texts,and the collective memory in multi-ethnic music texts are the starting points.It is explained by combining theory with examples to explore Chinese modernization.The narrative of the Chinese national community in the collective memory of multi-ethnic music texts in context.

关 键 词：中国式现代化 多民族音乐文本 集体记忆 中华民族共同体叙事 

分 类 号：D633[政治法律—政治学]