歌谣人类学研究方法与实践:黔桂边瑶语歌个案研究  

Research Methods and Practice on Ballad Anthropology:Notes on Ballads of the Yao Ethnic Group in Guizhou Guangxi Border

作　　者：吴正彪[1] 杨钰婷 Wu Zhengbiao;Yang Yuting

机构地区：[1]三峡大学民族学院,湖北宜昌443000

出　　处：《高原文化研究》2024年第4期94-101,共8页Plateau Culture Research

基　　金：2020年国家社科基金一般项目“苗瑶语族母语诗歌格律研究”(项目编号:20BZW202)阶段性成果。

摘　　要：歌谣作为一种口头文学,在人类社会中先于文字典籍文献而存在,而对歌谣的人类学研究,从20世纪初以来在国内外的学界中已经逐渐得到关注。每个民族的传统歌谣以具体的母语为载体,不仅承载有大量的历史文化信息,而且在内容和句式韵律形式上还与所处的生活环境相适应,由此积淀形成的称谓体系、韵律结构类型、“约定俗成”的语言文化特点以及认知方式等都有着明显的民族性与地域性。文章通过对黔桂边瑶族传统歌谣的搜集整理与研究,从“语言学转向”到“人类学转向”的母语歌谣翻译实践中,就“歌谣人类学”的理论建构提出一些认识和思考。As a kind of oral literature,ballads exist before written classics in human society,and the anthropological researches on ballads have gradually attracted attention in the academic circles both at home and abroad since the beginning of the 20th century.The traditional ballads of each ethnic group take the specific mother tongue as the carrier,which not only carries a large amount of historical and cultural information,but also adapts to the living environment in terms of content and sentence forms.The appellation system,rhythm structure,“conventional” language characteristics and cognitive style formed by this accumulation have obvious ethnicity.By collecting and studying ballads of the Yao traditional in Guizhou Guangxi border,this paper puts forward some thoughts on the theories of “ballad anthropology”,trying to turn the attention from “linguistic inclination” to “anthropological inclination”.

关 键 词：歌谣人类学 研究方法 瑶语歌 

分 类 号：K892[历史地理—民俗学] K127[历史地理—历史学]