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作 者:周星[1,2,3] 李昕婕 Zhou Xing;Li Xinjie(College of Arts and Media,Beijing Normal University,Beijing,100875;the Teaching Guidance Committee of Drama and Film and Television Studies in Higher Education of the Ministry of Education;the Art Education Research Centre of Beijing Normal University,Beijing,100875)
机构地区:[1]北京师范大学艺术与传媒学院,北京100875 [2]教育部高等学校戏剧与影视学类专业教学指导委员会 [3]北京师范大学艺术教育研究中心,北京100875
出 处:《民族艺术研究》2025年第1期43-51,共9页Ethnic Art Studies
基 金:2021年度教育部哲学社会科学研究后期资助重大项目“建党百年中国共产党价值观与中国电影发展路径研究”(项目批准号:21JHQ005)的阶段性研究成果。
摘 要:电影是国家形态艺术表现的折射,也是民族文化共同体的显现。“共同体美学”作为近年来中国电影本土理论的重要代表,逐渐成为区域电影、地域电影、民族电影研究中重要的理论支撑。中国影像艺术发展呈现出明显的地域影像创作倾向,其既是中国传统审美思想的在地表达,又是当下艺术实践的独特创造。各具特色的地域电影不仅形成差异性的艺术审美个性表达,而且在现实基底、审美情感、文化理想等方面增强了中国传统美学的诗意共性。从共同体美学理论出发,聚焦中国东、南、西、北、中不同地域的影像审美创造,对审美活动中的对象和主体进行“个性趣味”与“共性品味”的梳理辨析,能够进一步明确共同体美学的理念价值和实践路径,为中国电影现代化发展提供借鉴。Cinema is a reflection of the artistic expression of national forms and a manifestation of the national cultural community. As an important representative of the local theory of Chinese cinema in recent years, “community aesthetics” has gradually become an important theoretical support in the study of regional cinema, local cinema and national cinema. The development of Chinese video art shows an obvious tendency of regional video creation, which is not only the local expression of traditional Chinese aesthetic thought, but also a unique creation of contemporary art practice. Regional films with different characteristics not only form different artistic aesthetic personalities, but also enhance the poetic commonality of traditional Chinese aesthetics in terms of reality, aesthetic feelings and cultural ideals. Starting from the theory of community aesthetics, focusing on the aesthetic creation of images from different regions in East, South, West, North and Central China, and analyzing the objects and subjects in aesthetic activities in terms of their individual interests and common tastes, we can further clarify the conceptual value and practical path of community aesthetics, and provide reference for the modern development of Chinese cinema.
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